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How to add or remove an audio track in Sony Vegas. How to insert music into video to split audio in sony vegas

When working with video materials, it is often necessary to remove the original sound of the recording in order to correct it and add it separately or replace, for example, with musical accompaniment. This is easy to do with Sony Vegas.

The nuances of working with sound in Sony Vegas.

There are two ways to get rid of an audio track: delete it or simply mute it. The latter is preferable if you do not know for sure whether it will be useful in the process of creating a project or not.

Method 1

Before deleting the audio track, add the video to Sony Vegas editor. Above you see the storyboard, and below you see the audio layer, and they are inextricably linked. If you try to erase the audio sequence at the moment, the clip will disappear along with it.

To separate audio from video, select it and press U. Test the dependency of the elements by pulling the edge of the footage. If it moves on its own, the separation is successful.

There is a small setting window opposite the audio track. Right-click on it and select "Delete Audio Track" or "Remove Audio Track" (depending on the software version). The sound bar will disappear.

Method 2

Alternatively, you can simply mute the sound by muffling it but keeping the track. To affect not the entire row as a whole, but only the element, press S on the keyboard and select the desired piece, and then right-click and select "Switches" (or "Toggle") - "Muffle".

To mute the entire audio track or several at once (if the track consists of fragments), look at the menu opposite it - there is an icon with the corresponding signature.

In this way, you can not only achieve silence, but also make volume drops in the right places. To do this, press the Shift + V combination and place markers on the track where changes will be made. Moving the marks creates a sound curve. It takes a good deal of skill to use this feature effectively, but it produces interesting transitions. Now, if necessary, you can return to the original sound, which would be impossible if you delete the audio track.

Add a new track

Now let's talk about how to insert music or voice recording into a project. First of all, you need to prepare the corresponding MP3 file and save it to some folder. Then we import the video sequence into the editor and press Ctrl + Shift + Q (or through the menu "Insert" - "Audio / Video Track").

Next, insert the desired piece of music. If you plan several tracks during the clip, a separate audio track is created for each of them: in Sony Vegas, the same principle - "one object - one layer" - which is typical for graphic editors like Photoshop is observed. If you have muted the original audio track, then it is not necessary to separate the video and audio before Sony.

Voice over video

If you want to voice-over the video with your own voice, plug in an external microphone (in laptops it is built-in) and create a new empty audio track (right-click on the far left menu where the editing tools are located). A window will pop up asking you to save the recording to a specific folder. Agree or change the location and click OK.

A multi-colored indicator appeared on the right - the microphone is ready for use. At the bottom we press the "Rec" button and dictate the text.

On the same line, you will find a Stop icon. After recording, the audio can be listened to and, if necessary, processed - at the end of the track there is an icon that opens the corresponding options. In the list you will find a great variety of sound effects, clarity settings, and noise reduction.

All actions with the video material were carried out on one video track. We will now touch on actions that use the editor's multitrack. First, let's look at some of the principles of multitrack video editing (in their basics, they are applicable to other video editors).

Each video track is a kind of "layer" with an image. If there are several tracks, then the image in them is superimposed in layers on each other: the one above it is superimposed on the lowest track, and so on, from bottom to top. This happens exactly in the order in which the tracks are arranged vertically on the timeline - the first track on top is superimposed on the second, the result of the overlay is superimposed on the third, etc. In this case, the tracks are mixed with each other through the so-called alpha channel, or a transparency mask (by default, each track is completely opaque). Thus, working with many tracks is carried out in the same way as working with layers in the graphics editor Adobe Photoshop.

Each video clip on a track has its own "opacity" level, or Opacity. If you move the mouse cursor to the top border of the video clip until the cursor takes the shape of a hand with a finger pointing up, then in the tooltip you can see the current opacity level (by default, all clips are opaque, with an Opacity level of 100%):

If you hold down the left mouse button and drag the cursor down, you can make the video clip semi-transparent, up to full transparency (Opacity 0%). If there is only one video track in the project, then in the Video Preview window and on the frames of the clip itself, you will see that the image darkens down to black. This is because there is always a black background under the bottom track, and when mixed with it, the semi-transparent clip becomes darker.

To the left of the video track is the so-called Track Header window, on which its number is written, and there are also track controls (see the figure above). If you move the mouse cursor over a button or icon in the title window, a tooltip appears with the name of the element. Let's consider the purpose of some elements:

MinimizeTrackHeight - this button allows you to minimize / restore the height of the track;
MaximizeTrackHeight - this button allows you to maximize / restore the height of the track;
TrackNumber- track number, as well as an icon showing the type of track (video / audio);
TrackName- track name (empty by default), which can be edited by double-clicking on it;
BypassMotionBlur- this button allows you to turn off (if pressed) or turn on (if released) the so-called Motion Blur, or “smoothing” the image on the track, if video effects with movement are applied to it (see below);
TrackMotion - this button calls a window that allows you to set the movement of the image on the track, or simply carry out "cropping" or scaling the image (see below);
TrackFx - this button calls a window that allows you to set a chain of video effects for processing a track (see below);
Mute - this button "prohibits" the track - it stops participating in the formation of the image, and, as it were, "disappears" from the project;
Solo - this button "prohibits" all tracks except this one;
Level- this engine allows you to set the opacity level of the image of this track (by default 100%) - if you decrease it, the image on the track will become translucent (up to completely transparent if you set 0%);
Compositingmode- this button allows you to select the mixing mode of this track with the underlying ones. For "normal" video editing, without the need for complex video processing, this button does not need to be touched, leaving the default Source Alpha mode.

We will need a description of the track title later, but for now, let's look at an example using one track overlay - captioning video... Let's say the video is on the first video track. You need to add the video track located above so that the image on it overlaps the existing video. Right-click over the title of the video track, select the menu item Insert Video Track... An empty video track will appear, and the existing one will be below it, moving to the second position. We will add titles to it.

To do this, in the lower section of the program window, find the tab MediaGenerators (image generators) and select Text, Soft Shadow icon - text with "soft shadow". Drag the effect icon onto the first video track. A video clip will be created that generates text with a shadow, and as a result of overlaying the first video track on the second, the text will be superimposed on the video. To edit the text, click the Generated Media ... button on the right side of the clip (if the button is not visible, increase the track height by dragging the horizontal line between the titles of the first and second video tracks). In the window that appears, there are several tabs that allow you to edit the text (as well as select the font style and size - Edit) and change its position in the frame (Placement), set the text and background color (Properties), the border color (it can be turned on / off and changed thickness), thickness and intensity of the shadow (Effects). You can also deform the text in several ways (for this you need to enable the Enable Deformation option).

Move the borders of the clip with the text to the desired place, press the Play button and see what happened as a result. You can also set FadeIn / FadeOut to fade in and out titles. The picture shows an example where titles start to appear a second after the start of the video, smoothly appear for two seconds, and smoothly disappear at the end. The result is immediately visible in the Preview window.

In addition to static text with a specified color and shadow, there is a Credit Roll generator that allows you to show scrolling text, as at the end of a movie (also titles can appear one after another with different effects). Starting with the 8th version, the program has a new text generator - ProType Titler, which allows you to create more complex titles with additional effects and various options for text arrangement, rotation, and others. However, this is where the possibilities for overlaying titles in the program are exhausted. Those who need more complex titles will have to install additional plugins (for example, ProDAD Heroglyph).

Consider another example - picture in picture... To do this, you also need to create two video tracks, on the second (bottom) place the full-screen video (background), and on the first (top) video, which should be shown over the full-screen video in a reduced window:

Recall the description of the Track Header window (see above) and click on the header of the first video track. Track Motion... In the window that opens, you can just position the window in which the video should be displayed in the required part of the video frame, and also set the size of this window:

The frame in the center of the window occupies the entire video frame by default (note the values \u200b\u200bin the Position group on the left). If you change its size and position, the video track window will move in the same way. Disable the Scale About Center button at the top of the window, while keeping the Lock Aspect Ratio button pressed. Drag the lower right corner of the frame (when you move the mouse cursor to it, it will be circled) to the left upwards so that it shrinks and is in the upper left corner (note the changed values \u200b\u200bin the Position group). For effect, also turn on the 2D Shadow option in the lower left corner.

The desired result will be immediately visible in the Video Preview window - the picture of the first video track will be visible in a reduced form against the background of the picture of the second video track, with a shadow around the frame.

2. Animation of processing parameters

After reading the previous paragraphs, the reader may have a reasonable question: "Motion" - movement, but what does it have to do with it? You can not only set the position of the video window, but also make it move through the frame as the video plays.

To do this, at the desired starting position in the project (for example, at the beginning of a video track), open the Track Motion window and press the button SyncCursor at the bottom of the window, and now the current position of the video track window will be linked to the current position of the cursor in the project. In the picture above, we have positioned the track window at the top left of the video frame. Now move the current position in the project by clicking on the slider at the bottom of the Track Motion window, to the right. Move the position of the frame to the bottom right of the window, and click the Create Keyframe button:

A key point will be added at the current position in the project with the new position of the video track window. Close the Track Motion window, move the current position on the timeline to the beginning of the project (press Ctrl + Home) and press the Play button to see the result in the Video Preview window. Computer performance may not be enough for smooth playback - in this case, you can reduce the preview rendering quality by selecting Preview or Draft quality in the Preview Quality drop-down list above the picture in the window. In any case, this is just a preview, you don't have to worry about the quality of the video in the resulting file - the picture-in-picture movement there will look absolutely smooth.

Here we looked at an important feature of Sony Vegas - key points that set a smooth change, or animation of video processing parameters. They can also be set for any video effect parameters assigned for processing video tracks.

Consider a related example - smoothly "converting" color video to black and white.

Place a video clip on a track, move to the beginning of the project (Ctrl + Home), click the Event FX button on the right side of the clip (if the button is not visible, increase the height of the video track), or the Track FX button on the video track header on the left (Track Header, see above) ... In the appeared window with the list of effects, select Sony HSL Adjust and click OK. The effect window will appear, at the bottom press the Sync Cursor button. At the current position (the beginning of the clip), leave the Saturation value unchanged (1.0). Move the slider of the current position at the bottom of the window "all the way" to the right and click the Create Keyframe button below (you can also press the Insert key on your keyboard). A cue point will be added at the end of the clip. At this point, set the Saturation parameter to zero:

Now you can close the effect window, press the Play button and see in the Preview window what the result is - the clip, initially in color, turns black and white as it plays back. The nature (speed) of parameter changes can be changed - to do this, right-click over the key point on the time ruler at the bottom of the effect window and select the desired type of parameter change profile (you can also select Hold - keep the parameter value unchanged until the next key point).

Similarly, you can set the animation of the parameters of almost any transitions (Transitions) - for example, in the effect of "wrapping the sheet" as it is wrapped, smoothly change the thickness and angle of wrapping, the color and intensity of lighting, etc. Everything is limited only by your designs and imagination. Experiment with different effects and transitions, and see for yourself how much creativity the animation provides.

3. Working with sound

As mentioned at the beginning of this article, Vegas was originally designed as a powerful multi-track audio editor. The possibilities for sound processing are very wide - the program allows you to:

create projects with both stereo sound and surround sound in 5.1 format. Starting with the 8th version of Pro, the program supports sound in Dolby Digital (AC3) 5.1 format and input;
record sound from the input of a sound card (simultaneous recording from several sound cards, including multichannel ones) is supported;
place an unlimited number of audio clips on audio tracks with different compression and formats (number of channels and sampling rate) simultaneously in one project, without the need for preliminary audio decompression (it is carried out "on the fly" during playback or output of the editing result to the final file) ;
as well as for video clips, set FadeIn / FadeOut for audio clips, with the ability to select one of five forms of the fade profile (when overlapping clips, you get 25 options for the transition of one clip to another by changing the volume of both);
turn on and off (Mute) audio tracks.
set volume and stereo panorama (for projects with 5.1 sound - position of sound in space) for each track;
assign profiles (or envelopes, Envelopes) of volume / panorama changes in time with nodal points to soundtracks (for projects with 5.1 sound - the profile of the sound position in space);
assign effect chains to audio tracks for real-time audio processing. The set includes several dozen effects: various filters, equalizers, compressors of dynamic range, echo, etc. Any third-party DirectX and VST plug-ins for sound processing are also supported;
for some effects, it allows you to assign profiles (envelopes) of changes in their parameters over time to sound tracks;
combine audio tracks into groups (the so-called Bus, or buses) in order to simultaneously control their volume, or assign the same set of effects to them;
output sound in a variety of formats (including mp3, AC3, and in the case of WAV and AVI formats - in any format for which the audio ACM codec is installed in the system).

In this article, it is impossible to consider in detail all the audio capabilities of the program, so we will dwell only on some that are often used when editing home video.

For example, you need to carry out a simple action - replace part of the audio in the video... To do this, select the desired video clip with sound by clicking the mouse and ungroup it (press U) so that the sound and video are edited separately. Let's say you need to replace the beginning of a sound with another - from a sound file. First, drag the left edge of the original audio clip to the right to make room for the audio to add. Then, in the Explorer section, find the desired audio file (for example, in mp3 format) and drag it onto the timeline, onto a separate audio track. Adjust the end of the added audio clip so that it has the desired duration. Then drag it to the same audio track as the original video footage. You can make it so that it partially overlaps the sound of the footage - in this case, the sound will smoothly transition from one clip to another:

If you press the right mouse button over the place of overlapping sounds (the so-called Crossfade), then in the Fade type you can choose the shape of the volume envelopes for each of the two sound clips - 25 options are available in total (the same as available for Crossfade video clips). In order to later move the video clip and both sounds together, or not accidentally ungrouped, they can be combined into a group - select them by clicking them with the Ctrl key pressed and press G.

I often want add music to footage... Even a rather boring and monotonous video can look different if you add music to it. It can be done very simply: find the desired audio file (for example, in mp3 format) in the Explorer section and drag it with the mouse onto the timeline just below the audio track of the video sequence. An audio track is automatically created and an audio clip is placed on it. If necessary, move the audio clip to the desired location, "trim" its beginning / end, add FadeIn / FadeOut - all this is done in the same way as it is done with video clips (see the section "Editing Basics"). Naturally, this way you can add any number of sound clips to the project.

But just "throwing" music into the project is only half the battle. It is important to choose the right volume so that it does not sound intrusive and does not interfere with the viewing of your video.

Be sure to try yourself to see the result of editing with listening to the sound, both in headphones and in speakers, at different volumes. If you want the music to be just an additional background, and not replace the original sound, then it is important to choose the volume of the music so that even at a low volume of the speakers, the original sound sounded distinctly (in particular, in the voice of people in the frame, words should be clearly and legible ). Most likely, the volume of each musical composition will have to be selected separately. To do this, move the mouse cursor to the upper edge of the sound clip (the cursor will change its shape to a hand with a finger and up and down arrows) and drag it down with the left mouse button pressed. In this case, the volume (Gain, gain) will decrease. Decreasing the volume by 6 dB (decibels) means halving the sound amplitude. Listen to at least a few seconds of the original audio along with the music, and make sure the music is not too loud, and if it is not, turn it down. Do this for each music video while listening to different parts of the editing project.

It may turn out that in some areas it is only necessary to temporarily "muffle" the volume of the music so that at this moment only sounds in the frame (for example, people's voices) are heard, or, conversely, to make the plot dramatic or dynamic, the music needs to be made louder on few seconds. To do this, you need to add volume profile to the soundtrack with music.

To do this, select the required audio track (click on its title on the left) and call the Insert / Audio Envelopes / Volume menu command. A horizontal line will appear on the track - this is the profile, or envelope of the volume change. In the place where you want to decrease the sound volume, right-click over the profile and call the Add Point menu command, and add another one to the right. Then move to the place where the volume should return to its original value and add two profile points there as well. As a result, a horizontal section is formed between the two midpoints, which can be “dragged” with the mouse up and down to increase / decrease the sound volume in this section. The figure shows how to muffle the sound by 12 dB (four times in amplitude) over a 10 second section:

If you need to completely muffle the sound, the corresponding section of the profile should be pulled down "all the way" so that the volume takes on the -Inf value (minus infinity, which in decibels corresponds to multiplying the amplitude by zero).
If you need the volume to smoothly change from one value to another, add the points of the volume profile in the necessary places and set the desired gain values \u200b\u200bin them - either by dragging the points with the mouse up / down, or by calling the Set To ... command in the menu by the right mouse button over the point. To set the initial sound volume at any point (disable volume changes), select the Set to 0.0 dB command.

By default, the volume profile is linear between points. In the menu above the profile section, you can select the shape of the profile change curve -Linear,Fast,Slow,Smooth,Sharp. A typeHold means that the profile value will be constant until the next point.

The volume of each audio track can be changed entirely by using the Vol slider on the track header (if the slider is not visible, stretch the header to fit):

It happens that the music added to the project sounds too quiet when the volume is lowered, and when the volume is increased it sounds too intrusive, with loud bass and intrusive high frequencies, and it is difficult to find a “golden mean”. You can remedy the situation with a sound equalizer. On the header of the audio track with music, click the Track FX ... button, the window for assigning sound effects (processing) to the track will appear. Among them, by default, Track EQ is immediately present - click on the name of the effect at the top to activate its window.

Equalizer allows you to change the volume of the sound as needed in certain frequency ranges, or bands. By default, the equalizer does not change anything (all gain parameters are set to 0 dB). Let's start with the low frequencies (bass). Click on tab 1 (Low Shelf Filter Type). Drag the Gain slider to the left to attenuate low frequencies. Drag the Frequency slider to the right to increase the filter's cutoff frequency. The higher the frequency, the more low frequencies will be suppressed. You can start playback in the main window and listen to what happens while simultaneously adjusting the frequency and suppression level on the fly.

Now you need to mute the high frequencies (the upper sounds of percussion instruments, various noise effects, ringing, etc.). Click on tab 4 (High Shelf filter type). Adjust the Gain and Frequency the same way. The lower the frequency, the more high frequencies will be suppressed.

As a result, we have the following picture: the low and high frequencies of the music are muted, and the music now sounds less intrusive, without interfering with the perception of the main sound in the video.

Low frequency cancellation can also be used to reduce the audibility of wind noise (see more on this).

It happens that the voices in the frame sound unintelligible. This can also be corrected by using an equalizer - it is enough to increase the volume in the midrange (approximately 2-3 kHz for a male voice and 4-5 kHz for a female). To do this, call the equalizer window on the audio track with sound from the video sequence. Select tab 3 (filter type Band) and increase the Gain and also change the center frequency of the band (Frequency).

Play the project, and try to adjust the gain and center frequency of the band on the fly so that the voice sounded more clearly. You can also increase the bandwidth (Bandwidth, in octaves). It is not recommended to increase the volume of the middle frequencies too much (more than 6 dB), otherwise the voice may sound “like from a telephone”. You can read more about this in.

If the equalizer in the project needs to process not the entire sound, but only its sections (for example, where there are speaking people in the frame), then all the sections that need to be processed must be left on the sound track to which the equalizer is assigned, and the remaining audio clips should be transferred to a separate track on which no audio effects are assigned.

In addition to the equalizer, the Track Compressor effect is automatically assigned to the soundtracks, designed to reduce the dynamic range of the soundtrack. It can be used to reduce the difference between loud and quiet sounds - for example, in scenes where loud bangs, slamming of doors, etc. are sometimes encountered along with quiet people in the frame. You can read more about how this can be done in.

You can also assign processing to the entire project using the Master FX… button in the Mixer window. When the command for adding effects is called, a window appears with a list of effects sorted into categories. Select the desired effect, click the Add and OK buttons.

By analogy with animation of video effects parameters (see the corresponding section above), you can set animation of sound effect parameters... For example, you can set the profile of the frequency variation of an equalizer filter over time. On the title of the audio track, to which we assigned an equalizer to enhance the clarity of the voice, click the down arrow on the right side of the Track FX button ... In the pop-up menu, select the FX Automation command, in the window that appears, select the Track EQ effect. The list shows the names of the processing parameters that can be changed over time during playback. Select the Band 3 Frequency checkbox and click OK. A new profile will appear on the sound track, which can be controlled in the same way as the volume profile: add points, move them, set the frequency values \u200b\u200bat each point by entering a value, etc.

By controlling the processing parameters during playback, you can get a wide variety of sound effects - for example, using the Delay effect, you can get an echo with a variable "reflection" of the sound.

4. Outputting the result to a file

Saving the editing result to the output video file (not to be confused with saving the editing project) is carried out using the File / Render As menu command ... In the "File type" list, select the required container format (for example, Video for Windows for an avi file), in the Template ( template) select the compression format. Click the Custom button to view and / or set the video and audio compression parameters (in the Project tab, do not forget to select Best in the Video rendering quality list). If necessary, enable / disable the Include Video / Include Audio flags to include / exclude video and audio in the output file. In the Video format drop-down list (Video tab) a format (codec) for video compression is selected, in the Audio format list (Audio tab) a format (codec) for audio compression is selected.

For an arbitrary audio codec (format) to be available, you must select a video format other thanDV.

If the project uses interlaced (interlaced) video (and in most cases this is the case for video from a video camera), then it is important that the correct field order is set in all source files (in the file properties in the Project Media window), and the same order is better. set fields in the project properties, and in the settings of the output video to minimize image transformations. If you want to save unprocessed sections of video without recompression, this requirement becomes mandatory (in this case, the size / frame rate must also match, and for MPEG2, the compression parameters, in particular, the bit rate).

For MPEG files (in MPEG2, HDV, AVCHD formats), the field order is specified directly in the source files, so the program determines the field order automatically (of course, if the specified order coincides with the actual one - exceptions are rare, but they happen when the file is incorrectly re-encoded; if the video is taken from the camera or capture card, the order of the fields in the file is correct).

In the case of AVI files, it is generally impossible to automatically determine the field order, but, for example, for interlaced video from DV-camcorders, the correct field order is Lower Field First (the first field is lower). For video captured by most TV tuners, the field order is usually reversed - Upper Field First. If the actual order of the fields is unknown, or you are not sure, then you can determine it using the method described in.

If you want to save video in MPEG2 format for DVD, the MainConcept MPEG plug-in for Vegas must be installed and registered. In the latest versions of Vegas, you need to install Sony DVD Architect for this. In this case, you need to select MainConcept MPEG2 in the list of file types, and the required template (for example, DVD PAL) is selected in the list of templates. If necessary, you need to adjust the video and / or audio bitrate, depending on how much video you want to put on the DVD. For material that is one hour long, single-pass encoding with 8 Mbps for video is usually sufficient (see more on this in).

If Sony DVD Architect is used as a DVD authoring program, then the marks placed in the project (inserted by pressing Ctrl + M at the current position) can be used to indicate the beginning of chapters in the created DVD. When saving a file in MPEG2 format, enable the "Save project markers in media file" option in the file save dialog, and DVD Architect will automatically use the project markers as marks for the beginning of DVD chapters (more precisely, the disc section that will be obtained from this MPEG2 file) ...

Be prepared for the fact that saving the resulting file can take a long time (up to several tens of hours, depending on the duration of the project, video resolution, compression format and computer power). If a significant part of the project is saved without recompression, then it is better to keep the source files on one hard disk, and save the result to another, physically separate hard disk, in order to significantly speed up the data copying operation.

5. Encoding using a frameserver

Sometimes there are situations when you need to compress the editing result using an external encoder program. This can be done by first saving the result to an AVI file without compression, or using a codec that allows you to save data without loss. In both cases, you will need a lot of disk space: for example, in the case of an hour-long project, it will take tens of gigabytes to save it in uncompressed format, and saving will take a very long time. If the result is needed only to transfer it to another program for encoding, then it is possible to avoid saving an intermediate file of such a large size. For this there is a small free program-frame server DebugMode FrameServer, which can be downloaded from its official website.

After installing the frameserver, start Vegas, open the desired project and call the File / Render As menu. Select DebugMode FrameServer from the list of file types.

If this type is not in the list of formats, try using.

When you click Save, specify the folder on the disk to save the intermediate file. After that, the frameserver settings window will appear:

The parameters can be left at their default, as shown in the figure. At the push of a button Next a small intermediate AVI file will be created in the specified folder (this will take some time). It can be opened in any encoder program (Canopus ProCoder, TMPGEnc, etc.), and as soon as encoding is started, the data for encoding will be transmitted to the encoder directly from Vegas in uncompressed form, that is, without loss. This method of data transfer is called frameserving, when frames are transferred on demand directly from the editing program to the encoder through memory, bypassing the recording into a large intermediate file. Among other amenities, this method allows multi-pass encoding with encoders that support it.

Attention: do not try to open the same intermediate AVI file in several instances of encoder programs at once - the encoding result will be unpredictable. The described frameserver does not have the correct support for such a mode, and is designed for sequential encoding of the project (although multi-pass encoding is also allowed) by only one external process.

Once encoding is complete, close the external encoder program and press the button StopServing in the Debugmode FrameServer window.

6. Useful links

It is impossible to describe all the features of the program in one article. There are resources on the net that can help both beginners and "advanced" users in a deeper study of the program.

reviews of previous versions of the program on:, the site of the program manufacturer, to keep abreast of the release of new versions and program capabilities. There you can find detailed proprietary documentation for the program in English.
And, of course, you are welcome to discuss or ask questions about Vegas.

Select two or more video files in the Project Media window and click on the Media Properties button to display the Properties dialog box.

The following settings can be edited for multiple video files:

Frame frequency
Field order
Pixel aspect ratio
Alpha Channel and Background Color
Color space
Stereoscopic 3D mode
Gone / Fixed Swap

If the setting is not the same for all selected video files, (different values) is displayed. If you do not change the settings, the different values \u200b\u200bare saved. Save settings to video profiles for future automatic detection.

If you frequently need to edit settings for a video file type, click on the Save settings to video profiles for future auto-detection button after editing settings in the Properties dialog box. New settings are used each time a file of that type is found.

Audio recording

Sony Vegas Pro 12 can record audio to multiple mono or stereo tracks while playing back existing audio and video tracks. You are only limited by the performance of your computer system and audio hardware. The audio is recorded to a media file on your computer and to an event on the news feed.

You can record to a blank track, timing, event, or a combination of event and time selection. You can also record multiple takes for an event, so you can support multiple versions of an event, which you can play back and edit.

Select the media bin before recording if you want to automatically add your recorded audio to the media bin. For more information see "Sorting your media in bins"

To keep track effects with your registered files, create an effect pack of track effect settings and apply the chain to an event as a non-live event effect. For more information see "Sorting Your Media to Bins" and "Applying Non Real Time Event Effects"
- Press Alt + Down Arrow during playback to move the edit cursor to the playhead.

When the Record Broadcast Wave Format check box is selected on the Audio tab of the Preferences dialog box, Las Vegas Pro records the Broadcast Wave Format (.bwf) metadata when writing .wav files. You can view this information about the General tab of the Properties dialog box for an event.

Included in the .bwf metadata is the Time Reference value. This element keeps track of where on the news feed the file was posted. When you import a registered .bwf file, it is added to the news feed at the same location it was originally registered with.

The initiator (Sony vegas 12) and the initiator link (unique identifier number) are also registered.

When control is entered during audio recording, sound effect chains that contain non-operational plugins are displayed in yellow () to indicate that automatic changeable delay compensation is used. Chains that cannot be used for live control are automatically bypassed and displayed in red ().

Audio recording

1. Connect a sound source to the input of your sound card.

2. Position the cursor where you want to start recording.

3. Select a Hand for the Record buttons on the tracks where you want to record. Arming the track turns it on for recording.

When the track is armed, the track meter displays the track level. If control is not enabled, the meter displays the level of your input source. If control is on, the meter shows the level of the input source plus the track's effect chain.

4. Click on the Record Button on the Transport Panel to start recording.

5. To stop recording, click the Record Button again or click the Stop Button on the Transport panel. The registered Files dialog is displayed.

6. Use the Registered Files dialog box to confirm the file name and location of your registered audio. Click Delete or Delete All if you do not want to keep the registered files or click Rename to change the file name.

7. Click Done to close the Registered Files dialog box. Your registered file is displayed as a new event in the news feed, and the registered file is added to the Project Media window.

Multi-track audio recording in Sony Vegas pro 12

If Loop Playback is enabled for your project, playback will loop during recording, and a capture will be generated each time playback returns to the start of the loop area. The last recorded capture is set as an active capture.

A region is created to indicate that the beginning and ending of each is in the registered file. These areas are not part of your design, but are visible in the Tidier Window.

For more information see "Using the Trimmer" on page 150 and "Using the Picks as Options
Developments"

Recording a new capture for an audio event

You can record an audio event by selecting it. The record time is determined by the length of the event.

The registered Files dialog is displayed.

Click the Loop Playback button on the Transport panel to record multiple takes on the selected event.

how insert music in video using Sony Vegas

Probably many are interested in the question: how can you add music to a video? This article will show you how to do it using the program. Sony Vegas.

Installing Sony Vegas

Download the setup file. Install the program following the annotation. You can just click the Next button. Installation options for deflot are fully suitable for most users.

After the program is installed, launch Sony Vegas.

how insert music in video with Sony Vegas

The main screen of the application looks like this.

In order to add music to a video, you first need to add the video itself. Hello! We continue to study video editing for beginners, and today I will show you how to insert text in Sony Vegas Pro 13 over a video or picture. To do this, drag the video file to the timeline, which is located at the bottom of the program workspace.

So the video has been added. How to insert video into video video in sony vegas ::. How to add effect to Sony Vegas? 1. How to change the voice in Sonya Albanian 2 season 13 How to change the voice in Sony Vegas)). First, upload the video you want to apply the effect to into Sony Vegas. Transfer the music to the program window in the same way. The audio file should be added as a separate audio track.

You can turn off the unique video sound if you wish. To do this, press the track mute button on the left. The audio track should darken.

The save video window will open. How to insert text over video in i am making a movie in sony vegas 13 and i need to do. Select the required quality for the saved video file. For example, Sony AVC / MVC and “Internet 1280 × 720” setting. Lesson # 2 How to insert music under video in Sony Vegas Pro 13. How to insert text into Sony Vegas Pro 13 over video. Here you can also specify the location and name of the video file.

Lesson number 2 How to insert music for video in Sony Vegas Pro 13

Open the description of ??????.

How to add music to videos using Sony Vegas Pro 13

Frisky regular blending method music on video !!!

If desired, you can fine-tune the quality of the saved video. how to connect two videos in Sony Vegas on 02/15/2016 at 13:49 there is no inscription "insert" or she. To do this, click on the "Customize Template" button.

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1. Removal and replacement of audio.

This technique is needed in order to replace the existing audio with something else (for example, instead of drunken trills of guests at a wedding, substitute Verka Serduchka's hit or simply delete it.

Open the project, load the desired video fragment into it and drag it to the work area. If you drag this video around the work area with the mouse, you will notice that both video and audio go together inseparably. And it does not depend on whether you drag the mouse for a piece of video or for a piece of audio.

Accordingly, if you try in this case with the key DELETEdelete the audio track, then the entire movie will be deleted along with the video. To prevent this from happening, you need to "break" the video and audio. To do this, click on the video and press the " U ". Then, dragging the video with the mouse again, you will see that it is already moving separately from the audio track. After that, we simply delete it and, if desired, put another one.

2. Change the sound level.

This technique helps to make sound jumps from loud to quiet, when at a certain moment the sound needs to be muted or, on the contrary, raised its level. So, for this we go to the menu items Insert ->AudioEnvelopes ->Volume or use hotkeys Shift + V.

Then we return to our video, or rather to the audio track that belonged to him. Double-click the mouse to place marks in those places where we will adjust the sound.

Then, by pressing these marks and moving them, you can raise or lower the sound level. Listen to what happened, it might be funny.

You can also create an effect that I call “ Left ear - Right ear". It assumes the sound of audio in the left speaker, then in the right. To do this, go to the menu items Insert ->AudioEnvelopes ->Pan or press the burning keys Shift + P.

Again, on the audio track, put the marks in several places where we want to apply the audio effect.

And, as in the previous case, using the labels, we adjust where the audio will fall to " left ear", And where - on" right ear».

3. Special audio effects

Sony Vega s has its own set of audio effects that will help to embellish the sound of the video. To find them, go to the menu items View ->Plug-inManager .

A window opens to our eyes with a variety of audio effects for every taste.

To use one of them, you need to drag the selected one onto our audio track with the mouse and set the necessary characteristics.

4. Slow-motion sound

To "stretch" the audio sound (in English - slowmotion), you need to select the desired video, if necessary, "cut" the piece that will be edited (for this, the cursor clicks on the video in the place where you want to make the "cut", and click key " S"). And then the desired piece is pulled to the side.